Of course in large competitions, there are often required pieces that you don’t have three years to spend learning… But if you want to feel comfortable on stage, your core group of pieces should be ones you’ve been playing for years and years. I once discussed competition repertoire with 2011 GFA Winner Vladimir Gorbach, and he said that in general, the guitarists who win large competitions have usually been playing the same music for at LEAST three years. There are many aspects to consider when you are picking out pieces for a competition, but as Scott points out, there is one thing you should avoid… The truth is, the repertoire is the ONE part you always have complete control over (well, for the most part…) and therefore should be taken very seriously. But wait! There’s one very important preparation step to consider first… What you’re going to play!! Ok, you’ve picked a competition that’s the right level for you and you’re ready to hit the wood shed. and even more in Europe that would be a better fit for new competitors and lead to a more enjoyable first experience. get the most attention, but there are literally 100's of small, local competitions around the U.S. Naturally, the big competitions - GFA, Boston Guitarfest, Parkening, etc. If you are new to the scene, however, I would definitely recommend finding one that is at your level. You won’t really know if it’s your thing unless you give it a try.”Īs Scott points out, there isn’t exactly a correct time to start competing. If you have a good sense of the level of competition and you think you’ll have a good chance, then it’s worth giving it a try. “I think the only way to know if you’re ready is just to do it at some point.
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